TOP 11 FILMS OF 2011

It’s that time of the year (the end of it) when people sit down and drum up lists of their favourite things of the past twelve months. Today, I would like to share with you (only because you care so much) my 11 favourite films of 2011…


11HANNA – Directed by: Joe Wright
There’s a lot to like about HANNA, especially it’s odd-characters, it’s odd-pacing, and it’s incredible soundtrack, which just so happens to be the best soundtrack of the year — oh don’t mind me, I’m just trying to start a flame-war with all the DRIVE-soundtrack fanatics in the comments section (leave a comment, I dare ya’).

10MIDNIGHT IN PARIS – Directed by Woody Allen
My screening for MIDNIGHT IN PARIS could not have been more perfect for Allen’s whimsy: Saturday morning in the cinema, packed to the gills with giggling, giddy senior citizens. Leave your snarkiness at the door, Matthews. Avoid all spoilers of this film, and watch accordingly.

9WIN WIN – Directed by Tom McCarthy
I’ve made no attempt to hide the fact that I’m a huge fan of writer, director and actor Tom McCarthy — the guy played a big part in inspiring me to write and direct my first short film, ROOM SERVICE. As with both of McCarthy’s other films (THE STATION AGENT and THE VISITOR), WIN WIN’s strength is in it’s characters. My expectations could not have been higher and I was not let down.

8RISE OF THE PLANET OF THE APES – Directed by Rupert Wyatt
Speaking of expectations… Any reasonable person would agree: this movie should have sucked. Really bad. But it didn’t. In fact, it was fairly awesome. Aside from a cringe-inducing final five minutes, the film had some of the best sci-fi moments of the year, and at one point (see photo above) literally made me gasp-out-loud. I generally don’t do that too often unless I’ve spilt a hot drink on my lap.

7 – A tie between:  DETENTION – Directed by Joseph Kahn
I’m sure I could be accused of bias here, but it’s nothing but pride for fellow-Haligonian, Mark Palermo who wrote the screenplay for Joseph Kahn‘s second feature film. Try and process this: a high-school, slasher-flick comedy that also has elements of time-travel. The film moves at an unbelievable pace, and I mean that in the best way possible. It’s everything I wanted SCOTT PILGRIM VS. THE WORLD to be.

Technically, I think DETENTION belongs in the 2012 category, I just wanted to get behind this movie early on and encourage you to embrace this madness when it’s available to you.

In spite of the public’s opinion of Tom Cruise’s very public, very odd life, he just can’t help himself from being awesome when he steps in front of a camera. MI:4 has some of the most-thrilling action sequences conceived on-screen all year, and also a surprising sense of humour.

6DRIVE – Directed by Nicolas Winding Refn
“This film will shock you” is such an incredibly lame thing to say, but it applies here. From the first minute, I was hooked in, and was convinced that I was witnessing a brutal, unforgiving, modern masterpiece unravel before my very eyes. It was in the final fifteen minutes that the film lost me with a (in my opinion) weak finale. The anger I feel towards the ending is only a result of how amazing the rest of the movie is, so there’s that.

5WARRIOR – Directed by Gavin O’Connor
Howard Hawk’s famously said that a great film must contain “Three great scenes, [and] no bad ones”. Off the top of my head, I can count six great scenes in WARRIOR, which isn’t surprising given the talent involved, and nothing that even resembles a “bad scene”. Tom Hardy, Joel Edgerton, and (surprisingly – for me, at least) Nick Nolte all give beautiful, heart-wrenching performances.

The major flaw of the film is it’s premise: we are expected to believe that two brothers could end up in the finals of a worldwide mixed-martial-arts tournament, which is, to say the least, ridiculous. If you can get passed this, you’ll be enjoying one of the finest ensemble casts 2011 has to offer. Upon three viewings, I have been brought to tears all three times. Manly, manly tears.

4MELANCHOLIA – Directed by Lars Von Trier
This was my first foray into the world of Lars Von Trier, and although I’ve heard many a weird thing describing his films, nothing could prepare me for this. Beautiful, frustrating, brave, and overall: haunting.

If there’s a full moon in the sky, I am now incapable of looking away without first pondering the world’s end. Thanks for that, MELANCHOLIA.

Oh, and Kirsten Dunst can act!

3SUBMARINE – Directed by Richard Ayoade
The main criticism I’ve heard leveled against Wes Anderson‘s most-recent films is that they are increasingly lacking in a human characters, which I personally disagree with, but for anyone who has this problem with his films of late, may I recommend viewing Richard Ayoade‘s debut feature film, SUBMARINE, a quirky and whimsical coming-of-age story highlighted by some amazingly well-balanced performances.

This film has 2011’s second best soundtrack — that’s right, you DRIVE soundtrack enthusiasts! Meet me in the comments section!

2ATTACK THE BLOCK – Directed by Joe Cornish
All too often, especially in the past ten years, we have been promised films with incredible premises such as “Nazi zombies”, “Pirates vs. Ninjas”, “Snakes on a plane” that have more often than not, ended up absolutely sucking. ATTACK THE BLOCK, which is essentially “Hoodlums vs. Aliens” is a film that finally delivers on it’s potential for awesome.

It’s not a surprise that SHAUN OF THE DEAD director Edgar Wright, was the executive producer on this film, as it has the same balance between comedy, action, and thrills, and perhaps it’s been even more finely defined here with ATTACK THE BLOCK. Anyone who knows how much I love SHAUN OF THE DEAD, knows how big of a compliment that is.

1MARTHA MARCY MAY MARLENE – Directed by Sean Durkin
I really don’t want to say too much about this film. It’s so much better to be discovered. It starts as one thing and slowly builds into an absolute masterpiece.

Elizabeth Olsen, the younger sister of the Olsen twins (you heard me) is phenomenal (yes, you still heard me) in the lead as Martha, a young woman haunted by her memories of her time spent with a cult lead by John Hawkes (skinnier and better than ever), as she attempts to re-assimilate with her family. It sounds like an okay premise, but the execution is flawless.

If you take a recommendation from me just once this year, treat yourself to MARTHA MARCY MAY MARLENE.






Great news to announce today: THE CORRIDOR will be included as part of one of the greatest film festivals in North America, Fantasia Film Festival in Montreal! The festival, which specializes in genre filmmaking, has been relentlessly showcasing the best in “off-kilter” cinema for the past fifteen years. Mr. Quentin Tarantino had this to say about INGLOURIOUS BASTERDS‘ inclusion in the 2009 lineup…

I was thrilled that my film, INGLOURIOUS BASTERDS, made its North American premiere at Montreal’s Fantasia, as they are the most important and prestigious genre film festival on this continent.

THE CORRIDOR, a horror-thriller about male-bonding and miscommunication (THE BIG CHILL slammed into THE THING), is set to hit the Fantasia screens twice:

-Thursday July 21 – 7:25pm at JA De Seve Cinema &
-Monday July 25 – 1:00pm, once again at JA De Seve Cinema!
Tickets will be made available soon at the Fantastic Fest website.

Vodpod videos no longer available.

Myself, along with co-stars Stephen Chambers, Jim Gilbert & David Patrick Flemming, as well as director Evan Kelly and writer Josh MacDonald will all be in attendance for the screening on the 21st, followed by a Q&A. I sadly won’t be in Montreal for the screening on the 25th, and since I’m completely self-involved, I have no idea what’s on slate for that screening.

President of the Los Angeles Film Critics Association, Brent Simon gave THE CORRIDOR an A- rating in his review

This a fabulously effective feature debut for Kelly, and a work that bodes well for all of the talent involved, both on screen and behind the camera.

I’m apparently going quote-crazy this blog entry, but I couldn’t help but share HOBO WITH A SHOTGUN director, Jason Eisener‘s thoughts on THE CORRIDOR, stolen from his Tumblr page

With director Evan Kelly, and the amazing cast, they created a beautiful suspense film. Each character has attributes we can all connect with, and when the pressure of the Corridor comes down hard on this group of friends, you can’t help but feel like you’re stuck in the middle of the suspense. 

Please come out to our quaint, little cabin in the woods. We would love to have your company…

Also at the fest is Joseph Kahn‘s DETENTION, written by the spiteful-Haligonian (I kid, I kid), Mark Palermo! Check out the loaded Fantasia program over @

See you all in the city of love (?)!


As I’m sure many of you already know, HOBO WITH A SHOTGUN is opening in Canadian cinemas in 3 week’s time on March 25th! The film is continuing it’s festival run (Eisener took his pants off during the intro in Glasgow for some reason), and will play later on this month in Austin, Texas as part of the uber-everything fest, SXSW. Following the 25th, the film will be available On Demand April 1st, and hits United States’ cinemas on May 6th. Fun! The official HWAS webpage is now live @

In other HOBO news, Mr. Zan Rosborough has uploaded the video he shot of our venture down south to Sundance, where you can see our exploits, including our venture into the Playboy Lounge (that’s where Utah keeps their scantily clad women). View @

A few days ago, a bunch of internet-bloggers picked up THE CORRIDOR‘s trailer. One of my favourite movie-blogs, TwitchFilm wrote about their excitement for the film (Todd Brown specifically), so that’s pretty damn cool if I may say so. Somebody get this bastard a screener! Check out the article:

My ladyfriend Kristin Slaney recently starred in Journeyman Films’ advertisement for the Nova Scotia Business initiative to bring video game developers to Nova Scotia…

She’s fairly enticing, yes?

As if one film from Halifax conquering Hollywood wasn’t enough, Joseph Kahn‘s DETENTION is poised to do some conquering of it’s own. Shot in LA, I don’t think it can be considered a Halifax production whatsoever, but the film’s writer Mr. Mark Palermo is as Nova Scotian as they come (he’ll probably overanalyze & interpret that as an insult). The film will be joining HOBO in Austin later this month for it’s world premiere at SXSW! Check out the trailer over @ Fun, right?

And lastly but not leastly, I spent another day working with the wonderful students at Toronto Film School (the people who shot the Greendustries commercial I was in) filming a music video. I’ll post it when it’s available, but until then, just know that I wore a novelty mustache ala Daniel Day Lewis (in either GANGS OF NEW YORK or THERE WILL BE BLOOD, take your pick).

And exhale.